Alex Da Corte (b. 1980, Camden, NJ) is a Venezuelan-American artist. Institutional exhibition highlights include the 20-year retrospective Mr. Remember at the Louisiana Museum of Modern Art, Humlebæk, Denmark (2022–23) and the video survey Fresh Hell at the 21st Century Museum of Contemporary Art, Kanazawa, Japan (2023); the Whitney Biennial Quiet as It’s Kept (2022); the Roof Garden Commission for the Metropolitan Museum of Art, New York (2021); the Biennale di Venezia May You Live in Interesting Times, Venice (2019); the 57th Carnegie International, Pittsburgh (2019); and solo exhibitions at the Kölnischer Kunstverein, Cologne (2018); Secession, Vienna (2016); Art + Practice, Hammer Museum, Los Angeles (2016); MASS MoCA, North Adams, Massachusetts (2016); Museum Boijmans van Beuningen, Rotterdam (2015); and the Institute of Contemporary Art, Philadelphia (2014, together with Jayson Musson). Da Corte lives and works in Philadelphia. Recent longform critical writing include catalogue essays for the international touring exhibitions Marisol: A Retrospective and Ellsworth Kelly at 100. In 2026, with the Whitney Museum’s Meg Onli and Scott Rothkopf, Da Corte will co-curate the first Roy Lichtenstein retrospective in New York in more than 30 years. Da Corte was the 2023 Philip Guston Rome Prize Fellow at the American Academy in Rome.
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Williams, Tianna, “Sad clowns and Yoruba tricksters: the immersive world of Tierra Whack and Alex Da Corte,” Wallpaper, April 14, 2024
Solomon, Tessa, “St. Vincent debuts Alex Da Corte-Directed Music Video Inspired by Goya,” ARTnews, February 29, 2024
Diehl, Travis, “Reviews: Alex Da Corte,” Artforum, December 2023
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Donahue, David M. & Jordán Sandoval, “Beyond Stereotype: Contemporary Art in Children’s Picture Books About Going to the Museum,” Art Education, Volume 76 Issue 5, October 2023
Moss, Jack: “Prada Unites the House’s Past and Present”, Wallpaper, October 2023
Iwata, Katsumi: “Is the truth we’ve seen so far ‘true’? — Alex Da Corte’s Fresh Hell”, GQ Japan, August 26, 2023
Waldow, Jennie: “Alex Da Corte: Chicken”, The Brooklyn Rail, July/August 2023
Nishihara, Min, “Fresh Hell, 21st Century Museum of Contemporary Art, Kanazawa”, Reviews, Flash Art, June 22, 2023
Zargani, Luisa, “Prada, Alex Da Corte Team on Galleria Bag Campaign Fronted by Scarlett Johansson”, Women’s Wear Daily, May 16, 2023
Kiss, Irma, “Two artists take on Philadelphia in this season of PBS’s Art 21”, The Philadelphia Inquirer, April 13, 2023
Crimmins, Peter, “Philly artist Alex Da Corte explodes into The Street”, WHYY, January 22, 2023
Brown, Quinn Russell, “Alex Da Corte’s The Street is a love letter to Philadelphia written in Pop Art”, The Philadelphia Inquirer, January 18, 2023
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Vivanco, Felip, “Estas son las mejores exposiciones de arte que verás este otoño”, La Vanguardia, October 19, 2022
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Moradian, Manijeh, “The US is Dangerously Quiet about US Imperialism”, Hyperallergic, August 11, 2022
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“New Exhibition in Nanjing Probes Essence of Technology, Future, Art”, Global Times, July 22, 2022
Goodman, Lanie, “A Stroll Through the World’s Best Sculpture Parks”, Cultured, June 17, 2022
Davis, Ben, “Here is What the Riddle at the Heart of the 2022 Whitney Biennial Means”, Artnet, May 5, 2022
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Cotter, Holland, “A Show of Shadows and Light”, The New York Times, April 1, 2022
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“Goings On About Town”, The New Yorker, May 10, 2021
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Thackara, Tess, “Taking Big Bird to New Heights”, The New York Times, April 4, 2021
“Follow that Big Bird—Up to The Met Roof”, The Art Newspaper, April 2, 2021
Madsen, Kristian Vistrup, “Eggs in Moonshine”, Frieze, no. 218, April 2021
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Langjahr, Kathleen, “AP: Assembled Personalities”, The Brooklyn Rail, June 17, 2020
Russeth, Andrew, “In Philadelphia, Alex Da Corte Reinvents an Allan Kaprow Classic”, Surface, March 12, 2020
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Kron, Cat, “Marathon Man”, Cultured, Winter 2019
Angelleti, Gabriella, “Experimental Art Space in Tehran Has Been Recreated in Pittsburgh”, The Art Newspaper
Eblen, Shannon, “Seeing the Past from the Future”, The New York Times, October 23, 2019
Zwirner, Lucas, Alex Da Corte and Charlie Fox, “Artists Alex Da Corte and Charlie Fox are Into the Monster Next Door”, Interview, October 23, 2019
Tome, Anna, “Alex Da Corte: Marigolds”, The Brooklyn Rail, October 2019
Williamson, Kevin, and Alex Da Corte, “Fear Eats the Soul: Alex Da Corte in Conversation with Kevin Williamson”, Dazed, June 2019
Caldwell, Luisa, “Three Days At The Venice Biennale is Not Enough: A Report”, Whitehot Magazine of Contemporary Art, May 22, 2019
Rugoff, Ralph, and Daniel Birnbaum, “Double Vision”, Artforum 57, no. 9, May 2019
Smee, Sebastian, and Alex Da Corte, “Making Magic”, The Washington Post, May 1, 2019
Schwendener, Martha, “Pittsburgh Report: Five Places for Healing Through Art”, The New York Times, January 2, 2019
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Dafoe, Taylor, “The Carnegie International Wants You to Feel ‘Museum Joy’ Again, With Mr. Rogers, Vietnamese Coffee, and Its Own Past”, Artnet News, October 18, 2018
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Kastner, Jeffery, “On Alex Da Corte”, Artforum, February 2018
May, Mikey, “Find The Devil In Gallery D At The Carnegie International”, Pittsburgh Magazine, October 13, 2018
Norton, Margot, “Alex Da Corte in conversation with Margot Norton”, CURA., October 15, 2018
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Canino, Gary, “Alex Da Corte On Scaling Your Art”, The Creative Independent, March 21, 2017
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Miller, M.H., “An Artist Remakes A Film Classic — With Frankenstein’s Monster”, The New York Times, August 16, 2017
Marcus, Ezra, “Artist Alex Da Corte Looks At The World Through The Eyes Of Eminem Circa 2001”, Interview Magazine, October 20, 2017
Eckardt, Stephanie, “Eminem’s Comeback Has Stretched Over To The Art World Thanks To Alex Da Corte”, W Magazine, November 25, 2017
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Steiwer, Louise, “When Objects Disappoint”, Kunstkritikk, September 9, 2016
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Eckardt, Stephanie “Frieze New York 2016: Alex Da Corte Soars Over the Fair”, W Magazine, May 4, 2016
Corcoran, Heather, “Inside the Technicolor Dreamworld of Artist Alex Da Corte”, Dwell, April 20, 2016
Smee, Sebastian, “Stuff and Nonsense in Spellbinding Show at MASS MoCA”, The Boston Globe, April 8, 2016
Kennedy, Randy, “Alex Da Corte’s ‘Free Roses’ Put His Eccentricities on View", The New York Times, March 27, 2016
Rutland, Beau, “Alex Da Corte: Free Roses”, Artforum, January 2016
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Formichetti, Nicola, and Alex Da Corte, “Pop Paradise”, Free Magazine, Autumn/Winter 2015
Russeth, Andrew, “Best in Show: Highlights at Art Basel”, ARTnews, June 6, 2015
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Elms, Anthony, “Cat O’ Nine Tails”, Document Journal, Spring/Summer 2015
Bordignon, Elena, “Interview with Alex Da Corte: Devil Town”, ATP Diary, April 23, 2015
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McLean-Ferris, Laura, “Plastic Spiritualism and Nice Hair”, Flash Art, March/April 2015
Leifheit, Matthew, “A Haunted Townhouse of Art Ghosts on New York’s Upper East Side”, Vice, March 2, 2015
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Ballard, Thea, “Inorganic Matter”, Modern Painters, February 2015
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MFA in Sculpture, Yale University, New Haven, CT
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Tarasoff, Sabrina. THE DÆMON. Philadelphia: Alex Da Corte
James, Jamillah. Rubber Pencil Devil. Copenhagen: At Last Books
Sachs, Sid, Erica Battle, David Breslin, Kim Nguyen, William Pym, and Amanda Sroka.Chicken. Brooklyn: Dancing Foxes Press
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Seeberg, Mathias Ussing, Alex Da Corte, Bruce Hainley, Derek McCormack, Delia Solomons, and Steven Zultanski. Mr. Remember. Lærke Rydal Jørgensen, Mathias Ussing Seeberg, William Pym, eds. Humlebæk: Louisiana Museum of Modern Art.
Breslin, David and Adrienne Edwards, eds. Whitney Biennial 2022: Quiet as It’s Kept. New York: Whitney Museum of American Art
Da Corte, Alex. Rubber Pencil Devil. New York: American Art Catalogues
Gavin, Francesca. Rough Version: The NTS Interviews. Copenhagen: At Last Books
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Burkeman, DB. Art Sleeves: Album Covers by Artists. New York: Rizzoli
Cattelan, Maurizio, Marta Papini, and Michele Robecchi. Index. Venice: Marsilio Editori
Jhaveri, Shanay, Jack Halberstam, and Alex Da Corte. Alex Da Corte: As Long as the Sun Lasts, The Roof Garden Commission. New York: The Metropolitan Museum of Art
Brainard, Joe, and Alex Da Corte. Paintings. New York: American Art Catalogues
Da Corte, Alex. Smiles. New York: American Art Catalogues
Da Corte, Alex, and David Breslin. Rubber Pencil Devil. New York: American Art Catalogues
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Da Corte, Alex, John Canemaker, and Tausif Noor. Marigolds. New York: Karma
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Da Corte, Alex, Sam McKinniss, Kim Nguyen, William Pym, Lior Zilberstein, and Michael Bank Christoffersen. Alex Da Corte: 50 Wigs. Herning, Denmark: HEART, Herning Museum of Contemporary Art
Earnest, Jarrett, and Lucas Zwirner, eds. Tell Me Something Good: Artist Interviews from the Brooklyn Rail. New York: David Zwirner Books
Hainley, Bruce, Alex Da Corte, and Bob Nickas. Alex Da Corte: Slow Graffiti, 2 Vols. Berlin: Revolver Publishing
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Cross, Susan, Annie Godfrey Larmon, and William Pym. Alex Da Corte: Free Roses. Alex Da Corte and Susan Cross, eds. North Adams: Mass MoCA; Munich: DelMonico Books
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Fuller, Daniel. Alex Da Corte: Fun Sponge. Portland, ME: Publication Studio
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Da Corte, Alex, and William Pym. Big Brother. Chicago: Golden Age
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Alex Da Corte: I Think About You All of the Time. Montreal: Parisian Laundry
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The Philadelphia Museum of Art, Philadelphia, PA
The Metropolitan Museum of Art, New York, NY
Tank, Shanghai, China
The Long Museum, Shanghai, China
Glenstone, Potomac, MD
21st Century Museum of Contemporary Art, Kanazawa, Japan
Kistefos Museum, Jevnaker, Norway
Moderna Museet, Stockholm, Sweden
The Whitney Museum of American Art, New York, NY
Deji Art Museum, Nanjing, China
Fondazione Prada, Milan, Italy
Aïshti Foundation, Jal El Dib, Lebanon
Louisiana Museum of Modern Art, Humlebæk, Denmark
Musée d'Art Contemporain de Lyon, Lyon, France
Marciano Art Foundation, Los Angeles, CA
The West Collection, Philadelphia, PA